The first of Artaud’s conceptual definitions of cruelty is the “essense of human existence” (Jamison). This definition of cruelty is that human life has no meaning, which is a cruel thought indeed. This definition shows Artaud’s jaded persepctive of life.
Antonin Artaud and the “Theatre of Cruelty” Antonin Artaud explains on how he came about with the word “cruelty” for his theory, he said it is a consequence of an act: everything that acts is a cruelty. He goes on saying it is upon this idea of extreme action, pushed beyond limits, that theatre must be rebuilt.
The Theatre of Cruelty minimizes the text by emphasizing screams, inarticulate cries, and symbolic gestures. Graphically portraying the extremes of human nature on stage in order to shock the audience and thus evoke the necessary response, transcending the performance above simple entertainment.The Theatre of Cruelty, defined in the late 1930s, took the Surrealist approach to create its own violent and ritualized theory of drama. Artaud first proposed this idea in his book 'The Theatre.Artaud advocated a “theatre of cruelty”—a probing, goading, and provocative theater drawing on Symbolist sensory derangement, psychoanalytic theory, and the Balinese theater.
A great impact on contemporary theatre in the twentieth-century was Antonin Artaud and the Theatre of Cruelty. Antonin Artaud introduced new theories and practises into the theatre world through the creation of Theatre of Cruelty. However, these new theories and practices weren't well accepted by society and were constantly rejected.Read More
Antonin Artaud And The Theatre Of Cruelty English Literature Essay. Antonin was born 30 September 1896 in Marseille, France. He was an actor, Drama theorist and French poet. His theory of drama was something he called the Manifesto of the Theatre of Cruelty.Read More
Antonin Artaud (1896-1948) was one of the 20th century's most important theoreticians of the drama. He developed the theory of the Theater of Cruelty, which has influenced playwrights from Beckett to Genet, from Albee to Gelber. Antonin-Marie-Joseph Artaud was born in Marseilles on September 4, 1896, the son of a wealthy shipfitter and a mother from a.Read More
Antonin Artaud is not known for his many famous and interesting quotes. He was known for his experiments with Theatre and the creations of a sub- Surrealist theatre known as Theatre of Cruelty. The above quote, though, embodies who Artaud was; A genius, a madman, and in a league of his own.Read More
This essay attempts to develop an understanding of The Theater of Cruelty by explaining the connection it maintains with the very theater it often refutes—Aristotle’s. The physical movement of the audience, a visceral response, is the goal of The Theater of Cruelty, and I contend that Artaud’s theatrical aspirations are in fact grounded in the Aristotelian concept of a cathartic theater.Read More
Artaud's Theater of Cruelty is deliberately alienating to the human being. It is, one might say, an obvious attempt to persuade cognitive dissonance or peculiar state of affairs that requires the audience to think like no other can. His thesis generally relies on the fact that he has to affect the viewer deeply in order to achieve anything.Read More
The Theater and Its Double is a collection of essays by French author and actor Antonin Artaud written in the 1920s and 1930s. The book itself was first published in French in 1938. In the book, the author tries to establish a basic theory that is meant to redefine the art of theater using a radical.Read More
Of The Fountain of Blood, Albert Bermel wrote in Artaud’s Theater of Cruelty: “All in all, The Fountain of Blood is a tragic, repulsive, impassioned farce, a marvelous wellspring for speculation, and a unique contribution to the history of the drama.” Artaud’s theater must be ecstatic.Read More
Artaud); Salacrou's glass ball is a metaphor for the earth, and the blood spurting from God's wrist is prophetic of what Artaud would later call cosmic cruelty. A sustained comparison of the two plays has been made by Paule Thivenin, editor of Artaud's Oeuvres Complates: In writing this short play, Antonin Artaud displayed a rather ferocious humor.Read More